MAFRA
Part of the Lisbon Metropolitan Area, the Municipality of Mafra occupies an area of 112,36 square miles, benefiting from its strategic position on the Atlantic coastline and its close proximity to the Capital. With a population of over 83,000 residents, the Municipality of Mafra is an attractive demographic pole, with a growing population.
Mafra continues to be a meeting point and pole of attraction in the national and international context: with connections to Estremadura and to Lisbon, Sintra and Cascais. In the hinge of the commercial routes of a rich and diversified region, the Municipality of Mafra gains a new dimension and centrality, allowing the development of a lively and dynamic business fabric, combining tradition and modernity.
The identity of the Mafra region cannot be dissociated from the pottery industry. Even today, the presence of this industry, due to its implantation and prominence, is one of the features that most distinguishes the municipality and asserts itself as one of the oldest pottery centers in the national panorama.
The origins of the pottery industry in the territory that constitutes the Municipality of Mafra are immemorial. Its evidence in archaeological findings dates from the Neolithic period, as well as in historical documents, which demonstrate that the potter’s craft was already recognized in its Carta de Foro (1189) and the Foral Novo (1513).
The construction of the Royal Building of Mafra – Palace, Convent, Basilica, Jardim do Cerco and Tapada, inscribed on the UNESCO World Heritage List in 2019, one of the most exuberant works in the entire Baroque, would have brought thousands of workers and craftsmen to the town, coming from other parts of the country and abroad, among whom were potters. Following this construction, the establishment of the Mafra Sculpture School and the eminent work of Machado de Castro, which hypothetically may have influenced the particular representations of clay imagery produced by local artisans, should be mentioned.
In the last two centuries, the regional pottery has assumed enormous prominence, making present its reputed pottery beyond the municipal borders, establishing important commercial links with other regions. In the last century, this earthware already had a vast geographical distribution, sold from door to door or in markets and fairs in the center the country.
With the advent of modernity, in the second quarter of the 20th century, it was possible for this industry to ensure its survival to the present day, adjusting to the times and market trends, while maintaining its essence of a traditional industry, in many cases a family business.
Currently, the regional ceramic industry comprises two distinct and complementary strands, namely traditional pottery, still with handcrafted features and the production of clay figures, whose forerunner was Master José Franco, acclaimed one of the greatest popular clay artists of the 20th century.
Currently, a large part of the pottery production is decorative, reaching increasingly more distant markets, namely international markets, although it continues the production of utilitarian earthware, adapted to the new market trends.
Despite the new conjunctures brought by the globalization processes, the ceramics in Mafra has managed to assert its identity and, currently, still plays an important role in the municipality’s cultural heritage. However, the biggest challenge to this activity lies in the continuity of this industry, namely in the training of future generations.

Hugo Moreira Luís
Mayor of Mafra
MESSAGE FROM THE MAYOR OF Mafra
Pottery is one of the most emblematic cultural legacies of the Municipality of Mafra and one of the most distinctive identity marks of our territory, making it one of the main pottery centres in the country.
The construction of the Royal Building of Mafra – now classified as a UNESCO World Heritage Site – attracted countless artisans from various regions of Portugal and abroad, who had a decisive influence on local pottery production and the artistic expression of popular potters in the following decades.
In the 20th century, names such as Manuel Mafra and José Franco perpetuated this heritage, leaving a cultural and artistic legacy of great value that continues to inspire generations.
Today, traditional pottery remains a fundamental pillar of our cultural heritage.
The biggest challenge lies in strengthening the link between new generations and local history, promoting artistic creation and boosting the sustainability of this creative industry.
Hugo Moreira Luís
Mayor of Mafra
APTCVC Representatives

Municipal Councillor José António Felgueiras, Mafra
President of General Assembly Board